Christopher Isherwood, author of the Berlin Stories - which became Cabaret, had a thing for Louise Brooks' neck. He
raved about it. Film critic David Denby has a thing for Louise Brooks'
back.
Writing in the current issue of the New Yorker magazine, Denby has authored a long piece celebrating the silent film era and Michel Hazanavicius’s The Artist. Louise Brooks' back plays a central role in Denby's piece, and, she is pictured more than once. Denby's four page article is well worth reading. Check it out here.
Writing in the current issue of the New Yorker magazine, Denby has authored a long piece celebrating the silent film era and Michel Hazanavicius’s The Artist. Louise Brooks' back plays a central role in Denby's piece, and, she is pictured more than once. Denby's four page article is well worth reading. Check it out here.
